• Genre: Action/Adventure, Western
  • Release Date: 09/19/2008
  • Running Time: 108 mins
  • Director: Ed Harris
  • Cast: Viggo Mortensen, Renée Zellweger, Ed Harris, Jeremy Irons, Timothy Spall, Lance Henriksen, Luce Rains, Tom Bower, Girard Swan, Ariadna Gil
  • Producer: Ed Harris, Robert Knott, Ginger Sledge
  • Writer: Ed Harris, Robert Knott
  • Distributor: Warner Bros. Pictures
  • Offical Site: Click Here
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Box Office

  1. Four Christmases, 31.1 million, 46.1 million
  2. The Dark Knight, 26.1 million, 441.6 million
  3. Pineapple Express, 23.2 million, 41.3 million
  4. Bolt, 26.6 million, 66.8 million
  5. Twilight, 26.3 million, 119.7 million
  6. The Mummy: Tomb of the Dragon Emperor, 16.5 million, 71.0 million
  7. Quantum of Solace, 18.8 million, 141.4 million
  8. The Sisterhood of the Traveling Pants 2, 10.7 million, 19.6 million
  9. Australia, 14.8 million, 20.0 million
  10. Step Brothers, 9.1 million, 81.1 million
  11. Madagascar: Escape 2 Africa, 14.2 million, 159.1 million
  12. Mamma Mia!, 8.2 million, 104.1 million
  13. Transporter 3, 12.1 million, 18.2 million
  14. Journey to the Center of the Earth, 4.9 million, 81.8 million
  15. Hancock, 3.3 million, 221.7 million
  16. Role Models, 5.2 million, 57.8 million
  17. WALL-E, 3.1 million, 210.2 million
  18. The Boy in the Striped Pajamas, 1.7 million, 5.2 million
  19. Swing Vote, 3.1 million, 12.0 million
  20. Milk, 1.5 million, 1.9 million
Movie Title, Weekly Earnings, Total Earnings

Appaloosa

Virgil Cole (Ed Harris) and his sidekick Everett Hitch (Viggo Mortensen) are the new marshal and deputy facing down a posse of bad guys in Appaloosa, New Mexico, circa 1882, in Harris's latest directorial effort. Appaloosa has the shifting boundaries of friendship and love on its mind, but this isn't a movie likely to raise comparisons to the tortured revisionism of Unforgiven, or even to last year's hyperactive shoot-'em-up, 3:10 to Yuma--and that's surely fine by Harris. He and his collaborators are playing it straight with a timeless male fantasy--horse, hat, six-shooter--a traditional approach that will please moviegoers like my dad and yours: men who walked out of No Country for Old Men puzzled, feeling like they'd been cheated out of a climactic gun battle between lawman and villain. Harris keeps the shootouts coming--there's even a run-in with some canny Indians--but in this efficient western, there are no close-ups of shifting eyes and nervous trigger fingers, just sudden, over-in-a-blink violence. Truth be told, it probably wouldn't have killed the director to belabor the tension a little more, but hey, real men don't drag things out. — Chuck Wilson

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